Carol Prusa Silverpoint, graphite, Utanium white pigment with acrylic binder on acrylic sphere 14 x 14 x 14 in 2016 $5000.00 As a visual artist, I seek to communicate what cannot be seen but felt – the vibrations that are part of us all, including echoes from billions of years ago. Using graphite and acrylic pours and silverpoint drawing in a dance between the known and unknown, I create erotically charged portals to new possibilities. Paint and mediums are plumbed for unexpected outcomes.

Carol Prusa Silverpoint, graphite, acrylic and aluminum leaf on Yupo paper with aluminum hanging bar 60” x 240” 2024 $18,000.00 I read astronomer Maria Mitchell’s journals and determined to experience a total eclipse, following in her footsteps that took her with a team of women astronomers to Denver in 1878 to experience totality. I experienced the August 2017 total eclipse standing, between day and night, on the bank of the North Platte River in Nebraska.

Uduh Francis Maduka 10.5 x 10.5 x 60 each A furtherance of this language is Uduh's de-construction of the physical form to its barest essentials. He re- imagines and fashions physical characteristics. This sculptural style allows the artist to exploit his tools and materials and to manifest new anatomy of volume versus void, creating robust, impactful pieces. Uduh's sculptures encourage tactility and a three-hundred-and-sixty-degree appreciation of his work and thought process.